Forty years ago, Pierre Commoy and Gilles Blanchard solidified their romantic partnership; to celebrate, they’ve released a career retrospective: Pierre et Gilles: 40 (Flammarion, $60).
Photo courtesy Flammarion
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Last modified: August 22, 2019
Thirty-five years. It’s a milestone that speaks volumes – of resilience, evolution, and an unwavering commitment to a community that deserves to see itself reflected with pride and panache. For Metrosource Magazine, reaching this incredible anniversary isn’t just about marking time; it’s a vibrant celebration of a journey that began in the late ‘80s, blossoming from a humble local business directory into a national beacon for the LGBTQ+ community and its allies. From its very first issue, Metrosource understood a fundamental truth: the queer experience is multifaceted, rich, and diverse. It wasn’t content to simply report on headlines; it aimed to live within the community it served, celebrating its triumphs, exploring its challenges, and championing its voices. In a media landscape that was often either silent or sensationalist about LGBTQ+ lives, Metrosource carved out a unique space, offering sophisticated, engaging, and utterly authentic content. It became a trusted friend, a stylish guide, and a powerful advocate, all rolled into one glossy package. The Early Days Imagine New York City in the late ‘80s. The LGBTQ+ community was navigating a complex era, marked by both growing visibility and the devastating impact of the AIDS epidemic. It was against this backdrop that Metrosource emerged, initially as a local publication focused on the thriving gay scene in Manhattan. Its pages were filled with listings for the hottest clubs, reviews of the latest plays, and features on local personalities making a difference. But even then, there was an underlying mission: to elevate and empower. It quickly became an essential read, a directory of queer life, and a much-needed source of connection. As the years turned, Metrosource began to expand its horizons, both geographically and editorially. It recognized that the LGBTQ+ narrative wasn’t confined to a single city, and neither should its reach be. Slowly but surely, it began to grow, adding new markets and deepening its exploration of topics ranging from politics and health to travel, home design, and entertainment. This expansion wasn’t just about increasing circulation; it was about building a broader community, connecting queer people across the nation with shared stories and experiences. A Who’s Who of Iconic Covers One of Metrosource’s most enduring legacies is its ability to attract and feature some of the biggest names in entertainment, activism, and culture. A Metrosource cover isn’t just a photograph; it’s a statement. It’s a declaration of solidarity, a moment of connection between a star and a community that often sees itself on the fringes of mainstream media. Looking back through the archives is like flipping through a yearbook of modern pop culture, infused with a distinct queer sensibility. Think about the sheer star power that has graced its covers. The legendary Liza Minnelli whose connection to the queer community runs deep, has appeared multiple times, always with her signature blend of glamour and candidness. These weren’t just promotional appearances; they were often heartfelt conversations, revealing the artists’ personal insights and their genuine support for LGBTQ+ rights. Then there’s the indomitable Cyndi Lauper, a long-time ally and fierce advocate, whose vibrant personality practically leaps off the page. Her interviews have consistently championed equality and celebrated individuality, resonating deeply with Metrosource readers. The magazine has also been a platform for actors who have played pivotal roles in bringing queer stories to life, or who themselves are out and proud. Neil Patrick Harris his charm and candor, has graced the cover, sharing insights into his life and career as an openly gay performer and family man. His presence signifies a shift towards greater visibility and acceptance within Hollywood, a narrative Metrosource has always been keen to explore. Musical icons like Adam Lambert have also found a welcoming home on Metrosource’s cover. His unapologetic artistry and journey as an openly gay rock star have provided powerful inspiration, and Metrosource has been there to capture his evolution and impact. And how can we forget the unforgettable Dolly Parton an undisputed legend and beloved ally, whose interviews always offer a dose of her signature wisdom and warmth. The pages of Metrosource have also featured trailblazers like Billy Porter, whose fierce fashion and powerful performances have redefined what it means to be a queer icon. His presence on the cover is a testament to the magazine’s commitment to showcasing groundbreaking artists who are pushing boundaries and inspiring new generations. Even pop sensations like Troye Sivan have been featured, representing the younger generation of openly queer artists who are shaping the future of music and media. The list goes on to include a pantheon of queer legends. The one and only RuPaul, who has transformed drag into a global cultural phenomenon, has been featured in Metrosource’s pages, embodying the magazine’s commitment to showcasing the power and glamour of queer artistry. His presence underscores the shift of drag from a marginalized art form to a celebrated, mainstream cultural force—a journey Metrosource has always been keen to chart. Then there’s the global superstar Ricky Martin, whose courageous public coming-out moment resonated deeply across the world. Metrosource has featured his compelling story, celebrating his journey from a closeted Latin pop sensation to an outspoken advocate for LGBTQ+ rights and a proud family man. His interviews have consistently highlighted the importance of living authentically, a core tenet of the magazine’s philosophy. And speaking of iconic personalities, Metrosource has proudly showcased the wit and wisdom of actors like Leslie Jordan. His unique charm and hilarious storytelling made him a beloved figure, and his appearances in Metrosource captured his infectious spirit and his profound connection to the queer community, which he so often celebrated with genuine affection. Similarly, the brilliant Jane Lynch, with her commanding presence and sharp comedic timing, has graced the cover, offering candid insights into her career and life as an openly lesbian actress. Her interviews have always been a masterclass in authenticity and humor, […]
23 years ago, Metrosource published “A Gun in the Closet,” an article recounting the lives of 3 LGBTQ youth and the issues they were facing. Moved by the piece, Leo Preziosi decided to do something to continue the efforts to protect LGBTQ+ youth in response to the extremely high suicide rates. He formed Live Out Loud, a nonprofit dedicated to serving LGBTQ+ youth ages 13 to 18 by partnering with families, schools, and communities to provide resources, role models, and opportunities for our at-risk community youth. After two decades of success, the organization presented its 23rd Annual Trailblazers Gala last month, bringing together donors, corporate supporters, election officials, and youth scholarship winners to celebrate the organization’s life-affirming educational programming. At the event, 3 LGBTQ+ seniors were awarded the Live Out Loud Young Trailblazers Scholarship Award towards the college of their choice. The event also honored LGBTQ+ mentors, role models, and community builders. Truly inspiring work from just one article. We caught up with Live Out Loud Founder and Executive Director Leo Preziosi after this monumental event. You were inspired by an article in Metrosource, “Gun in the Closet,” to create the organization. What compelled you so much to get involved and start a whole non-profit? The title, “Gun in the Closet” stopped me dead in my tracks. I read those four words and knew what the article was going to be about. I couldn’t face reading it, so I placed it under my bed. Sometime later I opened it and read the article. I read about Robbie and Bill, who came from loving and supporting families who were struggling with their individual circumstances and very sadly, as we hear too often, took their own lives. What hit me the hardest was that the article spoke about the dreams and aspirations they had for their lives. I felt a sense of dread that their dreams would never be realized, dreams that could have impacted the world and changed hundreds, maybe millions of lives. Was Robbie on the path to becoming the next Neil Patrick Harris??? Was Bill on his way to becoming the next Bayard Rustin? We will never know. After reading that part, that’s when I knew had had to step forward and do something. For me it was a simple task, let’s bring the generations together so queer youth could learn from the elders of the community, elders being anyone from college and beyond. Through the years I saw just how much the elders were learning from the younger generation. Our entire community was benefiting from the programs and conversations that we were initiating. What were some of the biggest challenges in the early years in getting the word out for Live Out Loud? I never ran a nonprofit before. I studied photography and fashion design and found myself years later working in marketing and special events for a retail store named Felissimo, which was a tremendous help to me in planning fundraisers for the last 23 years. I was learning from the ground up. I had no idea how a nonprofit ran or how it was structured. It was overwhelming and complicated. It was a very scary time. I took workshops, did research, and went around meeting with the Executive Directors of HMI and GLSEN. I wasn’t planning on creating a nonprofit, it just evolved organically. How did starting this organization change your life in those early years? It was a very special time. When I shared the idea for the work I was doing with friends and colleagues, they were all very eager to step in and help. I was overwhelmed with gratitude. It also made me much more aware of the challenges that queer youth were facing in the early 2000s. When I left high school, I never looked back. I had no interest in school reunions and had no knowledge of the alarming statistics facing our students. Through research and conversations with community members serving LGBTQ+ youth, it made me much more aware. Now, 23 years later, what are the current biggest challenges? Where do I begin? We’re a small grassroots operation that operates locally for the time being, in all five boroughs of Manhattan. We’re competing with national organizations with a large development, operations, and communications staff. When corporations look to sponsor a nonprofit, they get more exposure from a national organization than from a local organization. So, they prefer to go national and not just local. I hear that a lot. What was your personal coming out story and personal experience as an LGBTQ youth? My high school years were a time filled with fear. It was a daily feeling that overcame me at the start of each day, from getting on the school bus, sitting in homeroom, walking the hallways, and taking gym or shop class. I never knew when the verbal assaults would take place. It was like dodging bullets. I was on guard all the time. It was something I lived with every day. After much therapy, I concluded that I had to start the process of coming out, especially to my parents. I remember taking a 3-day workshop titled “Coming Out” or something like that. The facilitators shared that after the 3 days, you would have the opportunity to write letters to your family and share your coming out story. I knew I would never do that, but I also knew that this workshop was the next step in me accepting that I was gay. It turned out to be an amazing 3 days, so much so that I wrote a 17-page letter to my father and a 16-page letter to my mother sharing who I was, their gay son, as well as many other things I was going through. I mailed the letters on a Monday. I was living in NYC at the time and my parents were on Long Island. I knew by Thursday that they would have received the letters. That day my phone rang, […]
As Pride season continues with festivals, parades, and increased nightlife, there is a community within our LGBTQ+ family that continues to thrive and grow, gaining a stronger voice in the last decade – that of our sober community. Pride celebrations now include safe spaces and events that cater to those on their journey from addiction, the stigma towards our sober family and the assumption that they can’t party with us is being diminished. Yet, there is still a long way to go. Because of our battle with discrimination, isolation, gender identity, and abandonment, the LGBTQ community struggles with substance abuse at a rate of two to three times that of the general population. Alarmingly, up until now, there have been zero facilities dedicated to our particular needs. Enter Rainbow Hill, founded by Southern California-based couple Andrew Fox and Joey Bachrach. The two, inspired by their own journey in recovery, left lucrative careers in real estate to open the doors of Rainbow Hill Sober Living in 2021, and, this summer, Rainbow Hill Recovery, an intensive outpatient treatment center in the Los Angeles area. With addiction rates so high, why do they think it has taken so long to establish facilities specific to our community? Joey: From what we’ve gathered is that there’s a lot of fear with having a specific community for programming and for housing because of the clients and being afraid of not being able to fill them. Or they think about finances more than they do about the people. I can’t speak for other programs, but for us, we’re in a position where we’re able to do that and take that risk and make a difference. So that’s something that Andrew and I haven’t wavered on, which is really neat. Andrew: I got sober almost 14 years ago and I did not want to go to sober living, I wanted to be around my peers and just feel very comfortable. I did it on my own. Maybe that was the fear that got me sober. But we both wanted to design a place that we both would want to stay at. It shouldn’t be a doom and gloom – a dark gray house with closed-off curtains. We want it to be bright and happy, and a place for people to feel free to be who they are so that they can work on their sobriety. There has been a bigger presence and visibility of the sober community at our Pride celebrations. Do they think the stigma of being sober and LGBTQ is diminishing? Joey: 100 %.! There are so many cool hashtags: #soberissexy #soberAF #soberisthenewcool. It’s who we are as individuals, but it’s also a movement. It’s something that people now wear on their sleeves. I know that I’m a proud alcoholic, and I’ve been very vocal about who I am, my struggles, where I am today, and how I got to where I am today, to hopefully be a beacon of hope for people who are in our home and in our program. I love being sober and I’m an open book. Andrew: And we do like spreading that message that sobriety takes courage and it’s cool. It’s a really whole different level of self-discipline and learning about yourself as well. I do think it is a movement where people are starting to stand up and talk about it more. And then when you see a celebrity that’s sober and you had no idea, you’re like, wait a minute. What impressed me when I was out drinking and would be with a friend that didn’t have a drink at all that entire night was like, that is really cool that that person was hanging out, socializing with us, didn’t feel uncomfortable, and didn’t need to be drunk. I think it’s great that a lot of people are starting to talk about it. Joey: What’s really cool is that with a lot of LGBTQ sober celebrities, it shows that addiction affects everybody, all walks of life. It doesn’t matter whether or not you’re homeless or if you’re a celebrity that everybody recognizes from the street, the beautiful thing is that it doesn’t discriminate, and it’s something that people can relate to one another. I find that rather beautiful. The couple would meet when they paired up for a real estate agent’s broker preview. Soon after they would start to hang out and discover their shared interest and their shared recovery path. Andrew was newly sober, with just a few months in, and Joey with more than a decade in recovery. After Andrew played hard to get for a bit, they eventually went from best friends to dating to getting married. And though they are currently on the same recovery journey, their fall to addiction was very different. Joey: I would put myself in very questionable situations where I have been sexually harassed and assaulted. And it’s something that has taken a lot of time and a lot of therapy to speak openly about. I did not like who I was, and I had three different versions of myself. I had Hoe-y who was a whore. I had Jose who was a completely despicable human being. And then Joey, who you’re interviewing today. But knowing that those versions of myself are dormant and not dead has been something that keeps me in check day in and day out, which is kind of neat. It was going to be my downfall and I probably would’ve died, to be completely transparent with you. Andrew: I was a functioning alcoholic for many years and it wasn’t until a series of events in my life that weren’t going my way. I had first-time deaths in my family that I had never dealt with before. Just some really hard times, all bundled together to where I tipped over and just could not stop drinking. And it was a depression along with that. I was literally at the bottom of a pit not knowing […]
With his retro ‘fro, signature turtlenecks and painted nails, Eugene Daniels has been bringing Mod Squad swagger to Morning Joe and Meet the Press, more than holding his own alongside seasoned political analysts. Described as a “rising star” Politico reporter by Vanity Fair upon his inclusion in Playbook, Daniels is part of an elite squad of reporters tasked with having their fingers on the pulse of the power players in Washington D.C. As an openly gay African American White House Correspondent, Daniels is broadening the lens of what it means to be a journalist in 2023. I sat down for a one-on-one Zoom session with Mr. Daniels to get a glimpse behind the man and his mystique. If intersectionality is the current buzz word du jour, Daniels is an apt representative, keenly aware that the very things that once were the source of trauma growing up are now valued traits which give him a unique insight into American politics. Combined with his calm demeanor and nuanced commentary, Daniels has become a mainstay on MSNBC and is representing in the best possible way as an openly gay, proud Black man. What’s more, Daniels is keenly aware of the responsibility that comes with this position. It is what drives him and informs his coverage. Little did he know as a Black gay child growing up in a smattering of Southern states from Arizona to Florida that he would one day not only be part of the White House press corps, but that he would be living out his ancestors’ wildest dreams, flying on Air Force One, chatting with the Bidens alongside his husband Nate Stephens at the White House Christmas party or posing questions for a one-on-one sit down with Madam Vice President Kamala Harris. But all that is a day in the very hectic life of Eugene Daniels who was once told by a former boss that he’d never make it in broadcasting because his voice was “too Black.” Fortunately, that very wrong and very bad advice did not deter him. To the contrary, it likely spurred him to greater heights because he realized if he wanted to spread his wings, he would need to leave behind the comfort of local news in Colorado and head to Washington D.C. Daniels posted a photo of himself as a child to his Instagram account on National Coming Out Day. It’s a sweet photo capturing the innocence of childhood but there’s a sadness that comes through his eyes. Whether the sadness had anything to do with his sense of being different or whether it was something entirely mundane, we’ll never know. Swipe right and we see the adult, fully realized out and proud man he would become. Beside the childhood photo, Daniels writes: “To the kid in the first picture: It’s going to take you decades (almost 3) to finally love yourself and accept what you already know to be true. It’ll take you longer to celebrate it.” Talk to me about what your childhood was like and the perspective that you now have looking back. I look back at my childhood and I feel very fortunate, despite the fact that I got bullied as a kid for being gay. I didn’t come out till I was 27, but I felt really lucky to have parents and siblings who were very loving. And so, while school really sucked, I would get to come home and my mom and I would talk almost every day. My dad was in the army, so he was deployed a lot, but also very there and fabulous. So, my home life was great. I think a lot of queer people look back and feel very sad for the kid that we were. There is a kind of hopelessness when you’re a kid and you know something’s different before you have the words to know what it is. I was one of those kids who always knew I was different and more fabulous and gay. Daniels describes the Pulse Nightclub shooting in 2016 as a catalyst for his own coming out. Though he was living in Colorado at the time, a safe distance from the massacre, Daniels recalls how the horrific event had a profound impact on him. I remember thinking seriously, for the very first time that I could die and no one would know who I actually am. That kind of shook me to come out of the closet. This terrible thing happened to all these people who were just being themselves and here I was in the closet. I started to envision what my life might look like if I started to live my truth, if I started to actually be myself and be with men. Up until that point, I dated women exclusively. I just could not leave this earth without my family knowing fully who I am. And it changed everything about my life. If Pulse provided the impetus to come out, it was his move to Washington D.C. which served as his springboard into embracing his truth as a gay man. He recalls reading a New York Times article by Jeremy Peters proclaiming Washington D.C. as “The Gayest City in America.” Though to be clear, there was a question mark in the title which gave the author a little wiggle room since the claim was based on surveys by Gallup and the Census Bureau. When I came out of the closet, I was very intentional about repeating the mantra “we’re never doing that shit again.” We’re never going to hide who we are. I’m going to feel comfortable in my skin. I’m going to always feel like I belong somewhere. My mom gave me this advice when I was younger which was “you belong in whatever room you find yourself.” Daniels applies this mantra to his professional life as he finds himself in spaces typically reserved for straight, white counterparts. A self-proclaimed Beyoncé super-fan, Daniels draws strength from the song “Cozy” from […]
America’s largest documentary film festival, DOC NYC, has a reputation for breaking molds and elevating diverse voices. A known hotbed for Academy Award-winning docs and Oscar-nominated documentary features, this annual showcase sets the gold standard for what matters within the genre. It was The Huffington Post that said, “This cinematic bonanza covers everything new and noteworthy in the world of documentary filmmaking,” and we tend to agree. Now in its 16th edition, this multi-week affair features screenings, special speaking engagements and the renowned DOC NYC PRO fall conference at Village East by Angelika where industry titans and newcomers alike come to learn from one another and ultimately influence the future of documentary filmmaking. Whether you’re a filmmaker or someone who simply respects this powerful form of storytelling, DOC NYC is a game-changing destination where wide perspective awaits. Open your mind at docnyc.net. November 12-30, 2025 IFC Center, Village East by Angelika 181 2nd Ave. New York, NY 10003 SVA Theater 333 W. 23rd St. New York, NY 10011
The roving, option-packed JAPAN Fes is one street food-centered extravaganza where tastebuds never grow bored, and in 2025 they are taking their cultural concept to new heights with more than 70 dates planned across the globe featuring more than 2,000 vendors and an astounding 1,000,000 attendees! In what’s undoubtedly now the world’s largest Japanese food festival, New York City plays a starring role, with a vast schedule of weekend events unfolding throughout October and November in New Rochelle (Oct. 4th), Chelsea (Oct. 5th), East Village (Oct. 18th, Nov. 8th, Nov. 15th) and the Upper West Side (Oct. 19th, Oct. 26th). There promises to be no shortage of sushi, ramen, hibachi, mochi, exotic street foods, and cultural performances, too. Who says you can’t experience the magic of Japanese cuisine right here in your back yard? Plan a visit (or five!) at japanfes.com/newyork/2025. Through November 15th, 2025 Various neighborhoods New York, NY
If a grand tasting featuring more than 100 award-winning wines, craft cocktails, artisanal bites and some light shopping sounds like your cup of rosé, then carve out some hours for NYC Autumn Crush, a one-day-only celebration traversing the finer things in life. Choose from the afternoon or evening session to discover why Wine Enthusiast magazine calls this event “One of the 12 Fall Food and Wine Festivals You Won’t Want to Miss”. For a truly decadent experience, spring for an upgraded ticket which includes the opportunity to sample 12 sommelier-curated fine wines and rare cheese pairings in an exclusive section reserved solely for VIPs. Unlock your favorite pairing at crushwinexp.com/wine-events/nyc-autumn-crush-wine-artisanal-food-fest. November 15, 2025 630 Second // Grand Ballroom 630 2nd Ave, New York, NY New York, NY 10016
City in a Garden: Queer Art and Activism in Chicago is an intergenerational group exhibition that highlights Chicago’s essential, yet often underacknowledged, role in the story of queer art and activism. The exhibition examines this history from the mid-1980s, when activists radically mobilized in response to the US government’s disastrous handling of the AIDS crisis. In this moment of change, activists reclaimed the historically pejorative epithet “queer” as a liberatory term, encompassing all who purposefully deviate from heteronormative society. Drawn from the MCA’s collection and other local collections, City in a Garden follows this paradigm shift in LGBTQ+ history by bringing together work from over 30 artists and collectives working in Chicago from the 1980s to the present. These artists address queerness through diverse media and methods: documenting clandestine queer spaces in photographs, creating sculptures that challenge normative depictions of gender and sexuality, and exploring queer intimacy through drawings, paintings, and videos. City in a Garden also features archival materials related to groups who innovatively combine artistic practices with their activism. The exhibition takes its title from Chicago’s official motto, Urbs in Horto, which translates to “city in a garden.” In the context of this presentation, this motto speaks to the exhibited artists’ and activists’ utopian visions of a metropolitan sanctuary for people of all races, genders, and sexualities. As queer people continue to fight for their lives and livelihoods under ongoing and renewed political threats, these visions remain as urgent today as ever. City in a Garden: Queer Art and Activism in Chicago is curated by Jack Schneider, Assistant Curator, with Korina Hernandez, Curatorial Assistant. (Image: Doug Ischar, Marginal Waters #9, 1985, printed 2009. Inkjet print from color transparency; 28 × 40 in. (71.1 × 101.6 cm). Courtesy of the artist.) Museum of Contemporary Art Chicago 220 E Chicago Ave Chicago, IL
Tony Nominated Broadway Producer Mark Cortale is thrilled to announce a Spooky Bear return engagement of the hilarious MEGAN MULLALLY, two-time Emmy Award Winning Star of WILL & GRACE, with host the Emmy Winning comedian JUDY GOLD on Saturday, November 1st at 8:30PM at Town Hall. The evening will be raising funds for Sandy Hook Promise. An evening with Megan Mullally hosted by Judy Gold! Ms. Mullally is best known for playing Karen Walker in the NBC sitcom Will & Grace, for which she received eight Primetime Emmy Award nominations for Outstanding Supporting Actress in a Comedy Series, winning the award twice. Accolades for her portrayal also brought seven consecutive SAG Award nominations, winning three times, and four Golden Globe Award nominations. Megan most recently co-starred opposite her husband Nick Offerman in Netflix’ The Umbrella Academy. She hosted the The Megan Mullally Show, and has been a series regular on In the Motherhood, Party Down, Children’s Hospital, and Breaking In. Her guest spots and recurring roles include, Happy Endings, Bob’s Burgers, Parks and Recreation, 30 Rock, Up All Night, Boston Legal, The New Adventures of Old Christine, and The Great North. Films include Smashed, The Kings of Summer, and Why Him? On Broadway, Megan has starred in How To Succeed In Business Without Really Trying, Grease, Young Frankenstein… … and host Judy Gold has had comedy stand-up specials on HBO, Comedy Central and LOGO, and was a part of Netflix’s Stand Out: An LGBTQ+ Celebration. She is the author of “Yes I Can Say That: When They Come For The Comedians, We Are All In Trouble”, a book about free speech and cancel culture. She hosts the hit podcast, It’s Judy’s Show with Judy Gold, and is featured in Netflix’s Outstanding: A Comedy Revolution. Her stellar work in films includes She Came To Me, Tripped Up, Love Reconsidered, and in the television series City On A Hill, Better Things, The First Lady, and Extrapolations. Judy has appeared on The Late Show with Stephen Colbert and The Tonight Show. She won two Emmy awards for writing and producing The Rosie O’Donnell Show. Judy has appeared on The View, The Today Show, The Drew Barrymore Show and on MSNBC, CNN and NewsNation as a free-speech advocate. She has three albums, Conduct Unbecoming, Kill Me Now, and Judith’s Roommate Had a Baby. Tickets available now for An Evening with Megan Mullally, hosted by Judy Gold, on Saturday, November 1st at 8:30 PM for one show only at Provincetown Town Hall! Mark Cortale most recently produced the six-time Tony-nominated Tina Landau & Adam Guettel musical Floyd Collins on Broadway with Lincoln Center Theater starring Jeremy Jordan. He also recently produced the Douglas Lyons’ play Table 17 at MCC Theater starring two-time Tony Winner Kara Young which won an Outer Critics’ Circle Award and two Lucille Lortel Awards this past May. In 2024 he produced the three-time Tony-nominated musical Days of Wine and Roses on Broadway, with music and lyrics by Adam Guettel, book by Craig Lucas and directed by Michael Greif. Mark also produced the Drama Desk nominated Off-Broadway musical Midnight At The Never Get by Mark Sonnenblick. Get tickets and information at: PtownTownHall.com. 260 Commercial Street Provincetown, MA
Hump! Film Fest has something for every kink. In one tech-centered short, titled Go F*ck Yourself, an inquisitive bottom learns what it’s like to well… f*ck himself. During Sock Slut, a possessed tube sock takes an otter for a wild ride. These are the kind of creative, funny and truly unique picks you’ll find at this long-running adult short film festival, which has become a destination for intoxicating and evocative selections. Produced by activist, journalist, and media trailblazer, Dan Savage, this year’s edition features 22 “new bangers” that will make you clap, laugh and gasp for air. Come see why Buzzfeed calls this genre-redefining showcase Savage’s “porn for the people”. Ain’t nobody gonna match this freak at humpfilmfest.com. November 11, 2025 Brain Dead Studios 611 North Fairfax Ave. Los Angeles, CA 90036
Metrosource Minis is the official podcast companion to the national LGBTQ print and online magazine featuring short form interviews with our featured celebrities from the LGBTQ world and beyond…with your host, Alexander Rodriguez. Quick, fun, and informative…Metrosource on the go. [podcastplayer feed_url ='https://feeds.sounder.fm/3885/rss.xml']
Murray Hill is larger than life. He’s got a big personality, a positive outlook, an infectious style of banter, and an endearing demeanor. It is all presented in a colorful package, suit and all. But it is not just a persona. After chatting with him for just a few minutes, it is clear that he is the real deal. Talking to him is like talking to everyone’s favorite guy at the bar. He’s got stories, jokes, and opinions on life. He’s also got a lot of talent that has taken him from the New York club scene to the stage and screen. You never know where he is going to pop up, from cameos in films to burlesque, from opening for rock bands to performing at parties for Liza, from performing in his one-man show Murry Hill As Himself to co-starring in the hit HBO show Somebody Somewhere. He’s a throwback to classic Hollywood in the style of Benny Hill and Sammy Davis Jr. but with modern flair. He’s unapologetically queer and has moved our community forward in media representation, but without pomp and circumstance, just a lot of heart.
In this episode, we talk about the challenges Murray overcame in his youth, the importance of the New York City scene in the 90s, being true to yourself, the power of persistence, Murry’s touring one-man show, the power of his HBO show Somebody Somewhere, having a little grace with Arnold Schwarzenegger, the power of comedy, and even a little Liza.
Hosted by Alexander Rodriguez. @alexanderisonair
Check out our in-depth chat with him in the current issue of Metrosource or at Metrosource.com
For info on Murray’s tour head to Mistershowbiz.com
