Art & Design

Wearable Art: This is the Visual Legacy of the Hippie Movement

Artists work in a multitude of mediums. Off the Wall: American Art to Wear celebrates statements that double as wardrobe. You could call these pieces “wearable art,” but they’re much more than that: Each captures the zeitgeist of self-expression that began in the 1960s and has been a part of the fabric of America ever since.

The exhibit is ensconced at the Philadelphia Museum of Art through May. Themes range from “The Times They Are A Changin’” (after the Bob Dylan classic) to “Everybody’s Talkin’” (Nilsson’s counterculture ode from the first X-rated movie, Midnight Cowboy).

(Tim Harding, Garden: Field of Flowers, 1991. Quilted, layered, slashed and rayed cotton. 56 x 67 x 3 inches. Museum of Arts and Design, New York.)
(Nina Vivian Huryn, Tree Outfit, 1976. Tooled, painted, laced, and stitched leather, suede, antique shoe buttons, and satin. Promised gift of The Julie Schafler Dale Collection. Photography by Otto Stupakoff ©Julie Schafler Dale)more
(Susanna Lewis, Moth Cape, 1979. Machine knitted, appliquéd wool; beads. Promised gift of The Julie Schafler Dale Collection.)

Featured designers include Julie Schafler Dale, whose Madison Avenue collection at Jule Artisans Gallery closed in 2013 — after 40 years of celebrating one of a kind wearable art created by American artists. Can’t make it to Philly? Check out the book of the same name co-published by the museum and Yale University Press. philamuseum.org

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Sebastian Fortino

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