LIFE THROUGH THE LGBTQ LENS — Out and Proud Since 1990
GAY VOICES
23 years ago, Metrosource published “A Gun in the Closet,” an article recounting the lives of 3 LGBTQ youth and the issues they were facing. Moved by the piece, Leo Preziosi decided to do something to continue the efforts to protect LGBTQ+ youth in response to the extremely high suicide rates. He formed Live Out Loud, a nonprofit dedicated to serving LGBTQ+ youth ages 13 to 18 by partnering with families, schools, and communities to provide resources, role models, and opportunities for our at-risk community youth. After two decades of success, the organization presented its 23rd Annual Trailblazers Gala last month, bringing together donors, corporate supporters, election officials, and youth scholarship winners to celebrate the organization’s life-affirming educational programming. At the event, 3 LGBTQ+ seniors were awarded the Live Out Loud Young Trailblazers Scholarship Award towards the college of their choice. The event also honored LGBTQ+ mentors, role models, and community builders. Truly inspiring work from just one article. We caught up with Live Out Loud Founder and Executive Director Leo Preziosi after this monumental event. You were inspired by an article in Metrosource, “Gun in the Closet,” to create the organization. What compelled you so much to get involved and start a whole non-profit? The title, “Gun in the Closet” stopped me dead in my tracks. I read those four words and knew what the article was going to be about. I couldn’t face reading it, so I placed it under my bed. Sometime later I opened it and read the article. I read about Robbie and Bill, who came from loving and supporting families who were struggling with their individual circumstances and very sadly, as we hear too often, took their own lives. What hit me the hardest was that the article spoke about the dreams and aspirations they had for their lives. I felt a sense of dread that their dreams would never be realized, dreams that could have impacted the world and changed hundreds, maybe millions of lives. Was Robbie on the path to becoming the next Neil Patrick Harris??? Was Bill on his way to becoming the next Bayard Rustin? We will never know. After reading that part, that’s when I knew had had to step forward and do something. For me it was a simple task, let’s bring the generations together so queer youth could learn from the elders of the community, elders being anyone from college and beyond. Through the years I saw just how much the elders were learning from the younger generation. Our entire community was benefiting from the programs and conversations that we were initiating. What were some of the biggest challenges in the early years in getting the word out for Live Out Loud? I never ran a nonprofit before. I studied photography and fashion design and found myself years later working in marketing and special events for a retail store named Felissimo, which was a tremendous help to me in planning fundraisers for the last 23 years. I was learning from the ground up. I had no idea how a nonprofit ran or how it was structured. It was overwhelming and complicated. It was a very scary time. I took workshops, did research, and went around meeting with the Executive Directors of HMI and GLSEN. I wasn’t planning on creating a nonprofit, it just evolved organically. How did starting this organization change your life in those early years? It was a very special time. When I shared the idea for the work I was doing with friends and colleagues, they were all very eager to step in and help. I was overwhelmed with gratitude. It also made me much more aware of the challenges that queer youth were facing in the early 2000s. When I left high school, I never looked back. I had no interest in school reunions and had no knowledge of the alarming statistics facing our students. Through research and conversations with community members serving LGBTQ+ youth, it made me much more aware. Now, 23 years later, what are the current biggest challenges? Where do I begin? We’re a small grassroots operation that operates locally for the time being, in all five boroughs of Manhattan. We’re competing with national organizations with a large development, operations, and communications staff. When corporations look to sponsor a nonprofit, they get more exposure from a national organization than from a local organization. So, they prefer to go national and not just local. I hear that a lot. What was your personal coming out story and personal experience as an LGBTQ youth? My high school years were a time filled with fear. It was a daily feeling that overcame me at the start of each day, from getting on the school bus, sitting in homeroom, walking the hallways, and taking gym or shop class. I never knew when the verbal assaults would take place. It was like dodging bullets. I was on guard all the time. It was something I lived with every day. After much therapy, I concluded that I had to start the process of coming out, especially to my parents. I remember taking a 3-day workshop titled “Coming Out” or something like that. The facilitators shared that after the 3 days, you would have the opportunity to write letters to your family and share your coming out story. I knew I would never do that, but I also knew that this workshop was the next step in me accepting that I was gay. It turned out to be an amazing 3 days, so much so that I wrote a 17-page letter to my father and a 16-page letter to my mother sharing who I was, their gay son, as well as many other things I was going through. I mailed the letters on a Monday. I was living in NYC at the time and my parents were on Long Island. I knew by Thursday that they would have received the letters. That day my phone rang, […]
As Pride season continues with festivals, parades, and increased nightlife, there is a community within our LGBTQ+ family that continues to thrive and grow, gaining a stronger voice in the last decade – that of our sober community. Pride celebrations now include safe spaces and events that cater to those on their journey from addiction, the stigma towards our sober family and the assumption that they can’t party with us is being diminished. Yet, there is still a long way to go. Because of our battle with discrimination, isolation, gender identity, and abandonment, the LGBTQ community struggles with substance abuse at a rate of two to three times that of the general population. Alarmingly, up until now, there have been zero facilities dedicated to our particular needs. Enter Rainbow Hill, founded by Southern California-based couple Andrew Fox and Joey Bachrach. The two, inspired by their own journey in recovery, left lucrative careers in real estate to open the doors of Rainbow Hill Sober Living in 2021, and, this summer, Rainbow Hill Recovery, an intensive outpatient treatment center in the Los Angeles area. With addiction rates so high, why do they think it has taken so long to establish facilities specific to our community? Joey: From what we’ve gathered is that there’s a lot of fear with having a specific community for programming and for housing because of the clients and being afraid of not being able to fill them. Or they think about finances more than they do about the people. I can’t speak for other programs, but for us, we’re in a position where we’re able to do that and take that risk and make a difference. So that’s something that Andrew and I haven’t wavered on, which is really neat. Andrew: I got sober almost 14 years ago and I did not want to go to sober living, I wanted to be around my peers and just feel very comfortable. I did it on my own. Maybe that was the fear that got me sober. But we both wanted to design a place that we both would want to stay at. It shouldn’t be a doom and gloom – a dark gray house with closed-off curtains. We want it to be bright and happy, and a place for people to feel free to be who they are so that they can work on their sobriety. There has been a bigger presence and visibility of the sober community at our Pride celebrations. Do they think the stigma of being sober and LGBTQ is diminishing? Joey: 100 %.! There are so many cool hashtags: #soberissexy #soberAF #soberisthenewcool. It’s who we are as individuals, but it’s also a movement. It’s something that people now wear on their sleeves. I know that I’m a proud alcoholic, and I’ve been very vocal about who I am, my struggles, where I am today, and how I got to where I am today, to hopefully be a beacon of hope for people who are in our home and in our program. I love being sober and I’m an open book. Andrew: And we do like spreading that message that sobriety takes courage and it’s cool. It’s a really whole different level of self-discipline and learning about yourself as well. I do think it is a movement where people are starting to stand up and talk about it more. And then when you see a celebrity that’s sober and you had no idea, you’re like, wait a minute. What impressed me when I was out drinking and would be with a friend that didn’t have a drink at all that entire night was like, that is really cool that that person was hanging out, socializing with us, didn’t feel uncomfortable, and didn’t need to be drunk. I think it’s great that a lot of people are starting to talk about it. Joey: What’s really cool is that with a lot of LGBTQ sober celebrities, it shows that addiction affects everybody, all walks of life. It doesn’t matter whether or not you’re homeless or if you’re a celebrity that everybody recognizes from the street, the beautiful thing is that it doesn’t discriminate, and it’s something that people can relate to one another. I find that rather beautiful. The couple would meet when they paired up for a real estate agent’s broker preview. Soon after they would start to hang out and discover their shared interest and their shared recovery path. Andrew was newly sober, with just a few months in, and Joey with more than a decade in recovery. After Andrew played hard to get for a bit, they eventually went from best friends to dating to getting married. And though they are currently on the same recovery journey, their fall to addiction was very different. Joey: I would put myself in very questionable situations where I have been sexually harassed and assaulted. And it’s something that has taken a lot of time and a lot of therapy to speak openly about. I did not like who I was, and I had three different versions of myself. I had Hoe-y who was a whore. I had Jose who was a completely despicable human being. And then Joey, who you’re interviewing today. But knowing that those versions of myself are dormant and not dead has been something that keeps me in check day in and day out, which is kind of neat. It was going to be my downfall and I probably would’ve died, to be completely transparent with you. Andrew: I was a functioning alcoholic for many years and it wasn’t until a series of events in my life that weren’t going my way. I had first-time deaths in my family that I had never dealt with before. Just some really hard times, all bundled together to where I tipped over and just could not stop drinking. And it was a depression along with that. I was literally at the bottom of a pit not knowing […]
With his retro ‘fro, signature turtlenecks and painted nails, Eugene Daniels has been bringing Mod Squad swagger to Morning Joe and Meet the Press, more than holding his own alongside seasoned political analysts. Described as a “rising star” Politico reporter by Vanity Fair upon his inclusion in Playbook, Daniels is part of an elite squad of reporters tasked with having their fingers on the pulse of the power players in Washington D.C. As an openly gay African American White House Correspondent, Daniels is broadening the lens of what it means to be a journalist in 2023. I sat down for a one-on-one Zoom session with Mr. Daniels to get a glimpse behind the man and his mystique. If intersectionality is the current buzz word du jour, Daniels is an apt representative, keenly aware that the very things that once were the source of trauma growing up are now valued traits which give him a unique insight into American politics. Combined with his calm demeanor and nuanced commentary, Daniels has become a mainstay on MSNBC and is representing in the best possible way as an openly gay, proud Black man. What’s more, Daniels is keenly aware of the responsibility that comes with this position. It is what drives him and informs his coverage. Little did he know as a Black gay child growing up in a smattering of Southern states from Arizona to Florida that he would one day not only be part of the White House press corps, but that he would be living out his ancestors’ wildest dreams, flying on Air Force One, chatting with the Bidens alongside his husband Nate Stephens at the White House Christmas party or posing questions for a one-on-one sit down with Madam Vice President Kamala Harris. But all that is a day in the very hectic life of Eugene Daniels who was once told by a former boss that he’d never make it in broadcasting because his voice was “too Black.” Fortunately, that very wrong and very bad advice did not deter him. To the contrary, it likely spurred him to greater heights because he realized if he wanted to spread his wings, he would need to leave behind the comfort of local news in Colorado and head to Washington D.C. Daniels posted a photo of himself as a child to his Instagram account on National Coming Out Day. It’s a sweet photo capturing the innocence of childhood but there’s a sadness that comes through his eyes. Whether the sadness had anything to do with his sense of being different or whether it was something entirely mundane, we’ll never know. Swipe right and we see the adult, fully realized out and proud man he would become. Beside the childhood photo, Daniels writes: “To the kid in the first picture: It’s going to take you decades (almost 3) to finally love yourself and accept what you already know to be true. It’ll take you longer to celebrate it.” Talk to me about what your childhood was like and the perspective that you now have looking back. I look back at my childhood and I feel very fortunate, despite the fact that I got bullied as a kid for being gay. I didn’t come out till I was 27, but I felt really lucky to have parents and siblings who were very loving. And so, while school really sucked, I would get to come home and my mom and I would talk almost every day. My dad was in the army, so he was deployed a lot, but also very there and fabulous. So, my home life was great. I think a lot of queer people look back and feel very sad for the kid that we were. There is a kind of hopelessness when you’re a kid and you know something’s different before you have the words to know what it is. I was one of those kids who always knew I was different and more fabulous and gay. Daniels describes the Pulse Nightclub shooting in 2016 as a catalyst for his own coming out. Though he was living in Colorado at the time, a safe distance from the massacre, Daniels recalls how the horrific event had a profound impact on him. I remember thinking seriously, for the very first time that I could die and no one would know who I actually am. That kind of shook me to come out of the closet. This terrible thing happened to all these people who were just being themselves and here I was in the closet. I started to envision what my life might look like if I started to live my truth, if I started to actually be myself and be with men. Up until that point, I dated women exclusively. I just could not leave this earth without my family knowing fully who I am. And it changed everything about my life. If Pulse provided the impetus to come out, it was his move to Washington D.C. which served as his springboard into embracing his truth as a gay man. He recalls reading a New York Times article by Jeremy Peters proclaiming Washington D.C. as “The Gayest City in America.” Though to be clear, there was a question mark in the title which gave the author a little wiggle room since the claim was based on surveys by Gallup and the Census Bureau. When I came out of the closet, I was very intentional about repeating the mantra “we’re never doing that shit again.” We’re never going to hide who we are. I’m going to feel comfortable in my skin. I’m going to always feel like I belong somewhere. My mom gave me this advice when I was younger which was “you belong in whatever room you find yourself.” Daniels applies this mantra to his professional life as he finds himself in spaces typically reserved for straight, white counterparts. A self-proclaimed Beyoncé super-fan, Daniels draws strength from the song “Cozy” from […]
From ‘Winemaker to Watch’ to nominee for ‘Winemaker of the Year’ this heralded lesbian winemaker is celebrating 10 years of accomplishments at the renowned Gary Farrell Winery. This talented lady has made quite a name for herself in the male-dominated wine industry, where only about 10% of all winemakers are women. Along with the team at her winery, they are proving that diversity and inclusion are just good business – along with producing world-class wines of course. Theresa Heredia hails from the San Francisco Bay Area town of Pittsburg, just a stone’s throw from the famed Napa and Sonoma Wine Country. She earned a bachelor’s degree in biochemistry from Cal Poly, San Luis Obispo and was a Ph.D. candidate in chemistry with an emphasis on enology at U.C. Davis, before leaving to pursue her passion of becoming a hands-on winemaker. Her travels to Burgundy, Bordeaux, and the Rhône Valley certainly furthered her love of wine. After contributing to many press accolades for vinification accomplishments as a winemaker at Freestone Vineyards & Winery, Theresa moved to Gary Farrell Vineyards & Winery in 2012 to advance her career. She was recently promoted in 2021 to director of winemaking, after a long list of honors for her creations by well-respected wine authorities including Wine Enthusiast, Wine Spectator, Wine & Spirits, to name a few. Specializing in cool-climate single vineyard Pinot Noirs and Chardonnays from iconic growers in the Russian River Valley, Theresa has recently earned some high marks for Gary Farrell Wines from the internet’s most comprehensive wine buying resource, Ken’s Wine Guide, as well as these ratings from industry authority Wine Enthusiast: 2019 Chardonnay – Durrell Vineyard: 95 points 2019 Chardonnay – Russian River Selection: 94 points 2018 Pinot Noir – Rochioli Vineyard: 95 points 2018 Pinot Noir – Fort Ross Vineyard: 95 points Now 20 years after entering the business and making her mark, Theresa is using her star power and influence to help the wine industry break down barriers for others. In addition to her work and support with national organizations like the Human Rights Campaign, she has become more involved locally by contributing her talent and vision to the Sonoma County Vintners Diversity, Equity and Inclusion Committee. She has demonstrated a commitment to work with others in the industry to bring about positive change. Theresa was recently honored with the North Bay Business Journal’s Pride Leadership Award which recognizes local professionals for their contributions to the Pride movement. The LGBTQ+ community feels a sense of inclusion at every touchpoint at Gary Farrell Vineyards & Winery. From the Equality Symbol and Rainbow Flag on their website and advertising material, to the diverse models used in their advertising to the welcoming team at their breathtaking ‘tasting salon’ in picturesque Healdsburg, California, it has one envisioning a world where acceptance is the norm. We can’t wait to see what Theresa has in store for us over the next 20 years. Learn more about Theresa Heredia and Gary Farrell Vineyards & Winery at www.GaryFarrellWinery.com. In West Sonoma County on the windy Westside Road that meanders through the scenic Russian River Valley AVA, you’ll find Gary Farrell Vineyards & Winery. Perched high on a leafy hilltop, this vintner has created a legacy of elegant wines in its rich 40-year history. Sommeliers, wine critics and oenophiles alike hold their pinot noir and chardonnay offerings in the highest regard. We think the optimal way to introduce yourself to these wines is right on site in one of Gary Farrell’s tasting areas, either indoors at ‘The Salon’ or outdoors on ‘The Terrace.’ You’ll experience an elevated tasting of pinot noirs and chardonnays paired with artisan cheeses while enjoying the breathtaking territorial vistas. For the out-of-towers, Gary Farrell is located between two of the most appealing gay tourist destinations in the county; gay-friendly uber-casual Guerneville with its rustic woodsy charm and the alluring Healdsburg with its bevy of upscale dining, shopping and hotel options. To reserve a tasting experience, visit www.GaryFarrellWinery.com. Furthering their commitment to the community, Gary Farrell became an early supporter and member of the newly formed LGBT+ Wine Society. This group brings together wine lovers, LGBT-friendly wineries, restaurants, hotels and retailers in Sonoma County for a welcoming community experience. One of the key outputs from this group is the hot-off-the-press Sonoma County LGBT+ Wine Map. “What a great resource for our community,” exclaimed Gary Saperstein, local business owner of Out in the Vineyard and promoter of Gay Wine Weekend. With over 425 wineries in Sonoma County, the LGBT+ visitor can hone in on those establishments that are gay-owned, gay-operated or have demonstrated a commitment to the community through their support and actions. Charter Sonoma County businesses included: Eco Terreno Wines & Vineyards Equality Vines Gary Farrell Vineyards & Winery Iron Horse Vineyards Marimar Estate Vineyards & Winery Martin Ray Vineyards & Winery Roadhouse Winery Sophie’s Cellars Duncans Mills House – Lodging The Woods Cottages & Cabins Lo & Behold Bar + Kitchen The Spinster Sisters Restaurant The Girl & The Fig Restaurant Exclusive events, discounts, and special offers throughout the year are planned by the LGBT+ Wine Society. If you love wine and live in the San Francisco Bay Area, or plan to visit Sonoma and would like a complimentary wine map, individual membership is currently free – just provide your name and e-mail. Visit: www.LGBTwinesociety.com Follow on FB: @LGBTwinesociety Follow on IG: @LGBTWineSociety
THINGS TO DO
The Wizard of Oz at Sphere will transport audiences, making them feel like they are traveling down the yellow brick road alongside Dorothy and her friends on an adventure in Oz. The film experience will fill Sphere’s 160,000 sq. ft. interior display plane, which wraps up, over and around the audience to create a fully immersive visual environment. The Wizard of Oz at Sphere will utilize the venue’s haptic seats, environmental effects and custom scents to make you feel like you are part of the movie and have landed in Kansas and Oz. The film’s original songs have also been remastered, and their orchestrations re-recorded to take on new clarity via Sphere Immersive Sound’s 167,000 speakers. If you’re looking for something that’s pure Vegas—bold, mind-blowing, and unforgettable—The Wizard of Oz at Sphere is your show. Whether you’re a longtime fan or just want to see what happens when classic Hollywood meets next-gen tech, this is one experience you’ll be talking about long after you’ve left Oz (and Vegas). For showtimes and other ticket information, head to thesphere.com. The Wizard of Oz Sphere Las Vegas (August 2025 through March 2026)
Yerba Buena Center for the Arts (YBCA) in San Francisco, CA has an expansive lineup of live events and community programming accompanying its recently opened exhibitions Bay Area Then and MAKIBAKA: A Living Legacy. From August through December 2025, YBCA’s downtown campus will come alive with concerts, festivals, talks, and film screenings that celebrate the Bay Area’s rich legacy of resistance and cultural innovation—while welcoming thousands of visitors for free experiences. “At YBCA, we believe that exhibitions aren’t just something to look at—they’re something to live through,” said Mari Robles, CEO of YBCA. “This season’s programming opens our doors wide, inviting the public to gather, listen, dance, and imagine together.” A key component of Bay Area Then is a dynamic series of monthly concerts held during San Francisco’s Downtown First Thursdays, when YBCA’s galleries at 701 Mission Street are open late and free to the public. Curated by Chris Johanson and Ethan Swan, the free series celebrates the artistic spirit of the Bay Area’s countercultures and artist communities. 2025 Music and Performance Lineup: September 4: Linton, and special guest to be announced October 2: Mike Morasky + Kal Spelletich, and special guest to be announced November 6: Erica Dawn Lyle and Brontez Purnell December 4: Ovarian Trolley and Wife “This series brings together both contemporary performers and artists deeply connected to the Bay Area’s history of creative resistance,” said Eungie Joo, Bay Area ThenGuest Curator. “Drawing on the rich intersections of music, visual art, and performance, the spirit of the exhibition—its experimentation, irreverence, and sense of community—runs through every performance.”
A screw-turning psychological thriller made for the moment, LURKER is the razor-sharp directorial debut from The Bear and Beef writer-producer Alex Russell. When twenty-something Los Angeles retail clerk and loner Matthew (Théodore Pellerin) encounters rising pop star Oliver (Saltburn’s Archie Madekwe), he takes the opportunity to edge his way into the in-crowd. But staying there isn’t easy. With an entire entourage (Bottoms’ Havana Rose Liu, Abbott Elementary’s Zack Fox, Y2K’s Daniel Zolghadri, mid90s’ Sunny Suljic) vying for attention, Matthew must prove himself to Oliver as more than just a follower. As their bond grows strained and mainstream fame appears within reach, access and proximity become a matter of life and death. Online fixation meets reality in this parasocial, paranoid cat-and-mouse film driven by star-making performances. With an incisive view to contemporary culture and a brilliant score from Kenny Beats (known for his work with Vince Staples), LURKER presents an exhilarating take on the music industry, the blurred line between friend and fan, and our universal search for validation. Written & Directed by Alex Russell (The Bear, Beef). Starring Théodore Pellerin (Becoming Karl Lagerfeld, Franklin, Beau is Afraid), Archie Madekwe (Saltburn, Midsommar), Sunny Suljic (Mid90s), Havana Rose Liu (Bottoms, Hal & Harper), Zack Fox (Abbott Elementary, Pause with Sam Jay), and Daniel Zolghadri (Y2K, Eighth Grade). In theaters 8/22.
“Possessed.” “Deviant.” “Sick.” Historically, colonial regimes attempted, gained, and maintained control over cuir/kuir/queer, trans, Black, and Indigenous people by pathologizing them along with their relationships—to the land, to the nonhuman, to one another. The rich sexual and gender diversity of the many cultures of Abya Yala (Kuna for the entirety of the Americas) was unintelligible to Western knowledge frameworks. To justify acts of violent dispossession and extraction, they characterized specific ways of existing as unnatural. These narratives have wound through legal, religious, cultural, political, and ideological structures in Abya Yala since 1492, and—as ficciones patógenas (pathogenic fictions)—they shape our understandings of bodies, land, culture, and power today. The artists in this exhibition explore how ficciones patógenas have been perpetuated and embodied, occluding local, non-Western, and Indigenous ways of being and knowing. In their 2018 book, ficciones patógenas, Guaxu trans writer, activist, and participating artist Duen Neka’hen Sacchi traces their own medical history through Western regimes of bodily conformity. The wounding and suturing of Neka’hen’s body (and other nonconforming bodies), based on false notions of order and reproduction, echoes the violent reshaping of the “Indies,” which inextricably bound biology to nationhood. Through hybrid practices that draw from Indigenous, colonial, and contemporary images and strategies, the artists propose ways in which land and bodies exist as sites of resistance and transformation. This exhibition is part of Dispossessions in the Americas: The Extraction of Bodies, Land, and Heritage from la Conquista to the Present, a project of the Mellon Foundation’s Just Futures Initiative. Over the past three years, in eleven countries across the Americas, the project has sponsored exhibitions documenting over 500 years of territorial, embodied, and cultural heritage dispossession through mechanisms of deceit, disease, and warfare. The exhibitions have featured contemporary artworks that address indigeneity, extractivism, coloniality, racism, and gender and sexual dissidence. The organizers of ficciones patógenas, Stamatina Gregory and Georgie Sánchez, bring together only a small selection of the artists and artworks presented across this multitude of international exhibitions. Now through July 27, 2025. Visit leslielohman.org for more information. ficciones patógenas Leslie-Lohman Museum of Art 26 Wooster Street New York, NY 10013
Carnegie Hall announced the summer schedule for Carnegie Hall Citywide, a free concert series that brings an electrifying mix of live performances to venues throughout New York City. Presented in collaboration with esteemed community organizations, the celebrated series features artists of all genres—classical, jazz, Latin music, and beyond—in performances across the city’s five boroughs. Kicking the summer season off, Carnegie Hall Citywide partners with Brooklyn collective ChamberQUEER and Grammy Award–winning Boston institution Handel and Haydn Society to present BaroQUEER: Historically Informed at the Judson Memorial Church (June 5). Next up in the series, a performance by women-led brass ensemble Brass Queens (June 12) in collaboration with the Times Square Alliance for the series TSQ LIVE. Carnegie Hall Citywide continues its collaboration with Bryant Park Picnic Performances this summer presenting five free concerts in the park on Fridays in July and August. The vibrant lineup features innovative music collective The Knights featuring bandoneon soloist Julien Labro (July 11); award-winning salsa dura band La Excelencia (July 18); three-time Grammy Award-winning jazz vocalist Cécile McLorin Salvant (July 25); visionary pianist and composer Orrin Evans and the Grammy Award–nominated Captain Black Big Band (August 1); and acclaimed singer-songwriter, top 8 finalist on NBC’s The Voice, and star of Broadway’s Maybe Happy Ending, Dez Duron (August 8). Carnegie Hall Citywide partners with Madison Square Park curating a dynamic three-concert series featuring renowned string ensemble Toomai String Quintet (July 9); Australian guitar virtuosos Ziggy and Miles (July 16); and Grammy Award–winning Catalyst Quartet (July 23). The programs for performacnes in Madison Square Park will take inspiration from Gardens of Renewal, an immersive installation by botanical artist Lily Kwong that inspires well-being, connection, and play. The installation is on view through September 1, 2025. Additional highlights to the Citywide summer season include concerts at Wave Hill in the Bronx featuring bassist, composer, and bandleader Endea Owens and her high-energy ensemble, The Cookout (June 26); New York City’s own “chajunto” orchestra Son Del Monte at Al Quiñones Playground (July 12); and at Historic Richmond Town in Staten Island with a program featuring the genre-spanning Symphonic Brass Alliance (July 26). All Carnegie Hall Citywide performances are free, and no tickets are required. To learn more about Carnegie Hall Citywide, please visit carnegiehall.org/Citywide.
If you were a child of the 70s in Southern California, you will remember the anointed “Plumber to the Stars” – Jack Stephan – “Plumbing and heating problems? Your man is Jack Stephanski… Jack Stephanovich… Jack Stephanino… no It’s STEPHAN, JACK STEPHAN!” Jack Stephan founded Jack Stephan Plumbing & Heating in 1946 and Adee Plumbing & Heating in 1949 and began advertising on television in 1965. “ADEE-DO!” The pop culture campy commercials certainly stuck in the minds and hearts of a generation, as Jack Stephan became a household name. Fast forward to Palm Springs 1969, where Stephan bought and completely remodeled the now iconic Deepwell home, which he dubbed “Stephan’s Folly,” and lived until 2014. Stephan realized his One Thousand and One Nights–inspired fantasy, with the help of friends in the design and furniture industry. The comprehensive adornment of all surfaces speaks to the entrepreneur’s desire to stand out. “In keeping with his attention-grabbing advertising style,” the Los Angeles Times reported in his 2014 obituary, “Stephan drove Rolls-Royces and maintained a flashy wardrobe, including mega-carat diamonds and suits in his favorite color, red.” This grand 3,250 square foot estate style home is a showcase of design and Palm Springs style. A fanciful blend of custom textures, patterns, and vibrant colors. From the many different types of crushed velvet wallpaper in fuchsia, pinks and oranges, to the deep shag carpeting, to the avocado green tiled sunken tubs, and the yellow appliance accented kitchen living room… the property holds a bold, flamboyant charm that you cannot help but love. Cozy, unique, and only in Palm Springs. The property, designed by architect Robert Lewis and constructed in 1965, is rich in local history and celebrity stories. Every corner of this flamboyant residence tells a story of high-roller charm with former party attendees and neighbors such as Eva Gabor, Hugh Hefner, William Holden, Elizabeth Taylor, and Liberace. One can imagine celebrities gathering around the retro-chic curved bar for a martini and cozied-up on the plush L-shaped sofa in front the massive fireplace for a round of Backgammon. Everything in this incredible home has been painstakingly maintained and preserved as it was originally conceived in 1969. The property has had a few different owners since Stephan’s passing in 2014. The current owners, Kristy and Scott Parent, had been searching for a home in Palm Springs for a couple of years, and once entering Stephan’s Folly, they instantly fell in love with its unique history and charm. “While this wasn’t what we were initially searching for, we appreciated it the minute we first saw it, and knew we needed to continue the story,” says Kristy. “We felt a distinctive ‘vibe’ with this home, and so we renamed it ‘The Vibe’,” says Scott. With its solid history and new name, The Vibe is participating in Modernism Week for the FIRST TIME, so you’ll get to tour and party at one of the coolest properties in the desert on February 20th from 6 to 8:30pm. You’ll enjoy full bar service featuring custom cocktail creations, tray-passed hors d’oeuvres, groovy music, go-go girls, and disco balls! Dress to impress at this one of kind event. For tickets, visit go.modtix.com/f/2025/vibe-house. And if you can’t make the Modernism Week party – I have even better news – you can now STAY in this groovy house through Natural Retreats at www.naturalretreats.com/property-detail-page?name=the-vibe-7349. The Natural Retreats collection of luxury vacation homes offers travelers a distinguished selection of properties in iconic destinations across the United State —from the granite peaks of the Rockies to the desert oasis of Palm Springs to the epic views of Big Sky to the luminous waters of the Emerald Coast. You can visit them at www.naturalretreats.com/destinations/palm-springs. It’s Cocktail Time! For the 60s party at The Vibe house, visit go.modtix.com/f/2025/vibe-house and follow The Vibe on Instagram @thevibepalmsprings. Modernism Week (February 13-23, 2025) is now celebrating 20 years of celebrating appreciation of midcentury architecture and design, as well as contemporary thinking in these fields, by encouraging education, preservation and sustainable modern living as represented in the greater Palm Springs area. The annual 11-day festival will feature more than 350 tours, programs and events, with a portion of ticket proceeds benefiting Modernism Week (a non-profit organization) and other local preservation, neighborhood, and community groups. The first Modernism Week event in February 2006, showcased the world-renowned midcentury modern architecture of Palm Springs. Among the members of the initial steering committee were representatives from the Modernism Show & Sale, Palm Springs Preservation Foundation, the Palm Springs Modern Committee, the Palm Springs Historical Society, and Palm Springs Art Museum. Today, more than 60 other non-profit organizations, businesses and neighborhood groups collaborate with Modernism Week to help produce Modernism Week tours and events. For all 2025 tours, presentations, events, and experiences, visit modernismweek.com. Photos: Ethylina Canne, Kristy Parent, Scott Parent Location: The Vibe House, Palm Springs, CA (IG @thevibepalmsprings) Photographer: Ernie Westman exclusively for Metrosource
PODCAST: METRO MINIS
Metrosource Minis: The LGBTQ World & Beyond
Metrosource Minis is the official podcast companion to the national LGBTQ print and online magazine featuring short form interviews with our featured celebrities from the LGBTQ world and beyond…with your host, Alexander Rodriguez. Quick, fun, and informative…Metrosource on the go. [podcastplayer feed_url ='https://feeds.sounder.fm/3885/rss.xml']
Murray Hill is Leaning Into Love
Murray Hill is larger than life. He’s got a big personality, a positive outlook, an infectious style of banter, and an endearing demeanor. It is all presented in a colorful package, suit and all. But it is not just a persona. After chatting with him for just a few minutes, it is clear that he is the real deal. Talking to him is like talking to everyone’s favorite guy at the bar. He’s got stories, jokes, and opinions on life. He’s also got a lot of talent that has taken him from the New York club scene to the stage and screen. You never know where he is going to pop up, from cameos in films to burlesque, from opening for rock bands to performing at parties for Liza, from performing in his one-man show Murry Hill As Himself to co-starring in the hit HBO show Somebody Somewhere. He’s a throwback to classic Hollywood in the style of Benny Hill and Sammy Davis Jr. but with modern flair. He’s unapologetically queer and has moved our community forward in media representation, but without pomp and circumstance, just a lot of heart.
In this episode, we talk about the challenges Murray overcame in his youth, the importance of the New York City scene in the 90s, being true to yourself, the power of persistence, Murry’s touring one-man show, the power of his HBO show Somebody Somewhere, having a little grace with Arnold Schwarzenegger, the power of comedy, and even a little Liza.
Hosted by Alexander Rodriguez. @alexanderisonair
Check out our in-depth chat with him in the current issue of Metrosource or at Metrosource.com
For info on Murray’s tour head to Mistershowbiz.com
February 13, 2025
September 24, 2024
July 30, 2024
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